Showing posts with label Susan Kaye Quinn. Show all posts
Showing posts with label Susan Kaye Quinn. Show all posts

Friday, March 7, 2014

Middle Shelf

I am pumped that Emblazoners 
are in the March issue of Middle Shelf!

"Middle Shelf is a digital-only magazine featuring the best books for middle grade readers. Each bi-monthly issue includes author interviews, reviews, excerpts, and photo essays."



Look at this gorgeous ad they ran for Emblazoners!
The Emblazoner Ad
The folks at Middle Shelf offered us a great discount for our ad (Middle Shelf is new and they're just getting started, but they're an off-shoot of the larger Shelf Unbound company). This is where having an indie group of authors is a great advantage - the ad was more than any one of us would spend individually (even at the discount) but together, it was a no brainer. Plus we're (hopefully) building some brand-recognition for our group, as authors who strive to emblazon our stories on the hearts of children. Check out our group and subscribe to receive our catalog to see what other great things we're doing! Check out Middle Shelf's Facebook page to see how to advertise with them.

 One of our Emblazoners was Spotlighted!
Faery Swap by Susan Kaye Quinn
And a full-page excerpt for Faery Swap!

The Faery Swap Excerpt
Susan was surprised when Laurisa, Editor-in-Chief at Middle Shelf, reached out to her, saying she had read the sample chapter of Faery Swap and thoroughly enjoyed it! And wanted to feature an excerpt in their March edition! Of course, Susan was happy to do that, and she couldn't be more pleased with how it came out. It's possible she may be in a future issue as well with an interview about being an indie MG author.

Two things impress Susan about Middle Shelf - that they're actively reaching out to indie authors and that they have the super-glossy, top-shelf look a professional magazine should.

From their premiere issue last fall:
"Good books have the power to entertain, to spark imaginations, and to transform lives, which is precisely why Middle Shelf came into being. We want to connect middle grade readers to the very best books, whether they're on the bestseller lists, published by small or indie presses, or self-published."
Amen!

Monday, March 3, 2014

Blog Tour: Faery Swap

March 3rd - March 21st

I am super excited to share this amazing book on my blog. This is one of those books that grabs you and doesnt let you go. I have enjoyed reading this book! Susan Kaye Quinn is an awesome writer! Feary Swap is funny, well paced, and filled with adventure. It's a book no kid will want to miss. But you don't have to take my word for it. Check it out yourself:

A little about Faery Swap...  KindleNookPrint
Warrior faery princes can be very stubborn. Especially when they possess your body. Fourteen-year-old Finn just wants to keep his little sister out of Child Protective Services--an epic challenge with their parentally-missing-in-action dad moving them to England, near the famous Stonehenge rocks. Warrior faery Prince Zaneyr just wants to escape his father's reckless plan to repair the Rift--a catastrophe that ripped the faery realm from Earth 4,000 years ago and set it adrift in an alternate, timeless dimension. When Zaneyr tricks Finn into swapping places, Finn becomes a bodiless soul stuck in the Otherworld, and Zaneyr uses Finn's body to fight off his father's seekers on Earth. Between them, they have two souls and only one body... and both worlds to save before the dimensional window between them slams shut.
NOTE TO TEACHERS: Check out the Virtual Author visit video and Common-Core-Aligned Teacher's Guide for Faery Swap here.
2 minute book trailer


Excerpt

[Author's Note: Faery Swap is told in alternating points of view, between Finn, the human boy, and Zaneyr, the faery prince who tricks him into swapping places.]

Finn's Excerpt:
He looked up at the blanket of haze hiding the sun. The sky had been blue when he had dropped off Erin. How long had he been out? He wrestled his arm around to look at his watch
8:44
The second hand was dead still, frozen between the five and the six. Whatever McFreaky did to knock him out broke his watch, too. The watch his mom gave him. She had strapped it on his wrist that day he was late for the bus and told him that being on time was important. Part of growing up. She drove him to school. The wreck happened on the way home.
It was the last thing she ever gave him. And McFreaky broke it. Finn clenched his fist and slammed it into the grass.
Then the grass punched him back.
The hit to his shoulder was so hard, it flipped him onto his back. A tinkling of glass sounded all around him.
“What the…?” Finn scrambled to sit up. The grass couldn’t have punched him. That didn’t make any sense. Something under the grass then. He jumped up to his feet and stared at the ground, frozen, waiting for it to move again.
Nothing happened.
Finn stomped his foot on the grass where he’d been lying a moment before, just to be sure. The grass kicked back, knocking him off his feet and landing him with a thump on his backside. The tinkling glass sound rushed up, like a thousand tiny voices laughing.
“Ahhh!” Finn jerked up off the ground. A narrow dirt path was just a dozen feet away, so he ran toward it. Tiny insects rose up wherever he stepped, making the tinkling sound, then falling back down. He teetered on the safety of the path, which seemed clear of the insects. The path was just wide enough for a sheep to pass. A very small sheep.
What was this crazy place?

Zaneyr's Excerpt:
Zaneyr peered at the young sister of Finn. He vowed to respect that kin bond, as a brother would. It was the least he could do, having banished her brother to the eternal changelessness of the Otherworld. And perhaps the House of Finn would serve as good a hiding place as any.
She awaited his answer with an impatience too large for such a small thing.
“No, lass, you cannot stay home with me.” He gestured to the loud guardian of the stone structure. “You need to stay here. But I will be back at the appointed time for you.”
Erin’s shoulders sagged with defeat.
“But I think I will return home now.” Zaneyr looked around at the many dwellings that crowded the path. “Which one would that be?”
Erin fixed that glare upon him again. “I memorized our address, already! When are you going to stop quizzing me?”
“It is the sickness,” Zaneyr said with a smile. “It is stealing my memory like a thief.”
“Dude, you are sick.” She suddenly shot her hand toward his face. Reflexively, Zaneyr leaned away, but she managed to land a tiny, warm hand on his cheek. He froze. What sort of magick was she working by touch? Then he remembered she was only a child, and a human one at that. It had been so long since he had felt the warmth of any touch.
The tension flew away.
“You’re not running a fever.” Her face was a picture of seriousness. “But I should go home with you.”
“Erin!” the woman called again, closer now. “You all right, love? I’m closing the gates.”
“You are summoned. You must go.” Zaneyr glanced again at the dwellings, stacked like cubes on top of one another. He pointed to one. “Is that our home? I don’t believe you truly recall.”
Erin’s shoulders drooped again. “It’s 842 on Earls Court.” She speared his chest with a small finger. 
Don’t forget to come back and get me.”
“I could hardly refuse an order so imperiously given.”
Blog Tour Giveaway $25 Amazon Gift Card Signed Paperback of Faery Swap Two Faery Wands ENTER TO WIN

Susan Kaye Quinn is the author of the bestselling Mindjack Trilogy, which is young adult science fiction. Faery Swap is her foray into middle grade, which is her first writing love. Her business card says "Author and Rocket Scientist" and she always has more speculative fiction fun in the works. You can subscribe to her newsletter (hint: new subscribers get a free short story!) or stop by her blog to see what she's up to.
Faery Swap
Kindle | Nook | Print
Fourteen-year-old Finn is tricked into swapping places with a warrior faery prince and has to find his way back home before the dimensional window between their worlds slams shut.

Friday, February 21, 2014

Middle-Grade Week, Day 5

This week is all about Middle Grade: writing it, indie publishing it, and especially marketing it! As you may know, reaching those elusive middle grade readers is tough, doubly so when you're indie published. Plus there are giveaways (see below)! 
Here's the schedule:

MONDAY: 
Warrior Faeries and Math Magick: How Susan Kaye Quinn is using a Virtual Author Visit video and Teacher's Guide to reach readers with her MG novel, Faery Swap.

TUESDAY: 
Faery, Fairy, Sweet and Scary: a discussion with MG author Kim Batchelor on writing about Faeries in kidlit.

WEDNESDAY: 
Sci Fi for the Middle Grade Set: a post with MG author Dale Pease about writing SF for kids.

THURSDAY: 
Writing Indie MG: a roundup of indie MG authors (Michelle Isenhoff, Elise Stokes, Lois Brown, Mikey Brooks, Ansha Kotyk) about why they write MG and how to reach readers, including their indie MG author Emblazoner's group catalog.

FRIDAY: 
Marketing Indie Middle Grade - The Hardest Sell - about reaching MG readers as an MG author.

Marketing Indie Middle Grade - The Hardest Sell
by Susan Kaye Quinn

As we've been mentioning all week, reaching middle grade readers isn't easy.
Let's talk first about hurdles, then about ways to overcome them.
Middle Grade Hurdles: Paper Distribution, Reviews, Discovery Paper Distribution is the first obvious hurdle. It's very unlikely you will be on the bookshelves of the B&N, and that is where a lot of middle grade books are discovered. Plus, middle grade readers, even with the proliferation of cheaper-and-cheaper ereaders, still read paper books. A lot of paper books. Add in the price factor (Print On Demand books tend to be more expensive than trad-pub print runs), and it's tough to get those paper books into kids hands. Why this is changing: More people are buying print books online (vs. browsing in the bookstore). As bookshelf space continues to shrink, the bookshelf in the bookstore counts less and less as a discovery tool... even for children's books. Reviews are always difficult to get, but reviews for middle grade books have been even more important, because major review channels like the School Library Journal, Publisher's Weekly, Kirkus and Booklist  serve as social-proof to parents, teachers, and librarians, that middle grade books are good to pass onto their children. These review channels either exclude indie books (School Library Journal), are indie-unfriendly (Booklist wants paper books months in advance), or charge indie authors a hefty fee to be reviewed in a segregated section that librarians and teachers are much less likely to read (Publisher's Weekly, Kirkus).  Why this is changing: Goodreads and other online media are reaching these gatekeepers (parents, teachers, librarians), so while the kids themselves are not online, the gatekeepers are. Review services like NetGalley are now open to indie books, providing an end-run around the review channels. I can personally attest that you can use Netgalley to reach teachers and librarians that are otherwise inaccessible.  Discovery is the constant challenge for all authors everywhere. Adult and young adult authors have an advantage because their audience peruses the online bestseller lists, subscribe to Bookbub, and go on Goodreads to see what their friends are reading. For middle grade, once again, it's the gatekeepers who are doing these activities, and usually not looking in those places for middle grade books. Why this is changing: Libraries are more and more open to stocking indie books - much more so than bookstores, in general. The gatekeepers (parents, teachers, librarians) are becoming more aware and more open to indie books - each time they have a positive experience with indie books for themselves, they are more willing to take a chance on those with their students and children. Kids themselves are starting to use services like Goodreads in their schools, reviewing books and adding them to their TBR lists. They are slowly bypassing the gatekeepers to discover books on their own.  This all points toward indie middle grade slowly finding its way into kids hands.

 How to Market Indie Middle Grade
Reaching Teachers and Librarians 
School visits put you in direct contact with your audience, but there's a limit to how much of that you can do. More teachers, librarians and booksellers interested in MG can be found on NetGalley - they may not be interested in reviewing as much as finding good reads to recommend to their patrons or stock in their libraries and classrooms. You can entice these "gatekeepers" even more by creating online materials (teacher's guides, games, book trailers) that help them bring your book into the classroom. Teacher's Guides - With the help of a teacher-friend, I created my own activities, games, and Teacher's Guide for Faery Swap. Another MG-author-friend hired Blue Slip media to create hers. Either way, it's important to emphasize the educational component of your story (including linking to Common Core, as that is a requirement for many schools).
 


I also created a 9 minute Virtual Author Visit video to use in conjunction with the Teacher's Guide, so that any teacher, anywhere on the planet, could share my message about Math Being Magickal with their students.

Book Trailers - teachers and librarians use them to entice kids to read, so having a book trailer is much more useful to MG authors than to most other authors. Book bloggers also like them, and they're a good, quick way to introduce readers to your book. Just make sure they're as exciting to watch as your book is to read (see here about how to make book trailers).


This Faery Swap trailer was made with iMovie, artwork from my book, music from Pond5.com, and an intro from a guy on fiverr who makes them. 

Bookmarks - Teachers and Librarians love to have swag to hand out to kids for prizes, so having high quality bookmarks can be a great way to get your book seen by kids.

Reaching Middle Grade Book Bloggers
They're not as abundant as bloggers for other genres, but they exist.  Direct queries can work, especially if combined with a blog tour/giveaway. I don't actually recommend using a blog tour service for MG, because most people who arrange blog tours are not MG-focused - you're better off arranging your own MG blog tour. For example, the letter I've been sending out to book bloggers, querying them about reviewing, has included an offer to join the blog tour:
Faery Swap Blog Tour (March 3rd – 21st): review copies are available, as well as excerpts and a guest post “Warrior Faeries and Math Magick” about how Faery Swap can be used in the classroom to get kids excited about math and science. GIVEAWAY: paperback copies of Faery Swap, $25 Amazon Gift Card, and TWO Magickal Faery Wands. SIGN UP HERE
That link goes to a dedicate Blog Tour page that includes this (feel free to sign up!)
Blog Tour Giveaway
$25 Amazon Gift Card
Signed Paperbacks of Faery Swap
Two Faery Wands

Advertising Advertising MG works is trickier than other genres. Bookbub has a middle grade list that reaches 170,000+ readers. The ads are pricey, but most people (even MG) seem to make back the money in sales. (Note: Bookbub is difficult to get into and you'll have to discount your book). Putting a book up for giveaway on Goodreads or LibraryThing is much like posting an ad (for the small price of the book giveaway). Joining Forces With Other Authors My indie MG author group, the Emblazoners, is a great resource: we share information on what works (and what doesn't!), we join forces for things like NetGalley subscriptions and buying ads in MG specific sites like Middle Shelf, and we put together our own catalog of works, marketing jointly to build a list of teachers and librarians interested in MG works.
Get our catalog here.
Patience, Reasonable Expectations
The hard truth is that MG books are a small market. This graph pretty much sums it up:

Children's books are simply a small wedge of the ebook pie. Most MG authors will tell you they sell as much (or more) in print as they do in ebook, but it's hard to move large numbers of print copies if you're not in bookstores (and with POD prices high relative to mass market print runs).
When I published Faery Swap, I hoped to break even on the book... eventually. If you publish indie MG books, I think you're doing well if you break even. If you can turn it into a money making venture, you're doing very well. Most other genres are easier to sell - if you want to make a living as a writer, I suggest writing in a genre that sells to pay the bills, then publishing your middle grade because you love it.
Do you have other marketing ideas for MG? Share your knowledge in the comments below and we can all benefit!



Susan Kaye Quinn is the author of the bestselling Mindjack Trilogy, which is young adult science fiction, and several adult fiction stories. Faery Swap is her foray into middle grade, which is her first writing love. Her business card says "Author and Rocket Scientist" and she always has more speculative fiction fun in the works. You can subscribe to her newsletter (hint: new subscribers get a free short story!) or stop by her blog to see what she's up to.
Faery Swap
Kindle | Nook | Print
Fourteen-year-old Finn is tricked into swapping places with a warrior faery prince and has to find his way back home before the dimensional window between their worlds slams shut. Faery Swap is on tour March 3rd - March 21st with a $25 gift card and magick wand giveaways! Sign up here.

Last day to enter!

Tuesday, February 18, 2014

Middle Grade Week, Day 2

This week is all about Middle Grade: writing it, indie publishing it, and especially marketing it! As you may know, reaching those elusive middle grade readers is tough, doubly so when you're indie published. Plus there are giveaways (see below)! 

Here's the schedule:

MONDAY: 
Warrior Faeries and Math Magick: How Susan Kaye Quinn is using a Virtual Author Visit video and Teacher's Guide to reach readers with her MG novel, Faery Swap.

TUESDAY: 
Faery, Fairy, Sweet and Scary: a discussion with MG author Kim Batchelor on writing about Faeries in kidlit.

WEDNESDAY: 
Sci Fi for the Middle Grade Set: a discussion with MG author Dale Pease about writing SF for kids.

THURSDAY: 
Writing Indie MG: a roundup of indie MG authors (Michelle Isenhoff, Elise Stokes, Lois Brown, Mikey Brooks, Ansha Kotyk) about why they write MG and how to reach readers, including their indie MG author Emblazoner's group catalog.

FRIDAY: 
Marketing Indie Middle Grade - The Hardest Sell - about reaching MG readers as an MG author.

Faery, Fairy, Sweet and Scary 
with Susan Kaye Quinn and Kim Batchelor
Most of us are introduced to Tinker Bell and fairies as cute but contentious little creatures that, if we are lucky, we might find in the bushes outside our window. But in the Irish and Scottish myths that gave birth to these creatures, they were not always sweet or cute. The original faerie (or fairie, if you will) stories came from myths about the Tuatha Dé Danann, a race of people in Irish Mythology gifted with supernatural powers. Fairies were known as aos sí, aes sídhe, or simply the sidhe, and some—like the banshee or bean sí—were in mythical reality faeries who wail near those close to death. (And hence the term “screaming like a banshee”.) Yikes! Imagining (and reimagining) those faeries has been happening in literature ever since. Today, Susan Kaye Quinn and Kim Batchelor chat about the kind of faeries they have in their middle grade fantasies, and where the inspiration for those stories came from. 


Sue: Kim, you have the classic Tinkerbell fairy in your Peter Pan re-imagining, The Island of Lost Children. But first, tell me a bit about your (not yet released) book, The Mists of Na Crainn, and how you imagined the fairies in that story.



Kim: Several years ago, while driving home after an evening of teaching, I learned a few things about fairies that I never knew. Throughout the journey on a long stretch of highway, a Celtic music station played a series of eerie songs in recognition of the night before Halloween. Faeries kidnap mothers and their babies and take them to caves where they are held captive. Listen. When it’s completely quiet, you can hear their songs calling out to you to rescue them. “You’re part fairy, aren’t you?” Somewhere on the drive, that line came into my mind and gave birth to the story that would later become my book, The Mists of Na Crainn (not yet in print but hopefully soon). Imagine learning that you were part of a race of people prone to stealing women and babies, among other bad practices, and you never knew it. That became Lyric Doherty’s story, and in the book I introduced her to her classmate, Andrew, whose mother, along with his brother, also went missing, never to be found. I loved writing about a mythical place coexisting alongside of the world as we know it.

Sue, your book, Faery Swap, takes those fairy myths to a completely different level. In your story, this mythology is clearly situated in our world, with tension, conflict, and adventure suitable for the middle grade reader. The two boys at the center of the story and conflict each find themselves located on an unfamiliar side of the rift between the Otherworld and our world. Where did the inspiration for your story come from? 



Sue: I was also driving in the car, oddly enough! (That's where I seem to find many of my ideas!) I wanted to write a middle grade fantasy, but with science elements. With my background in science and engineering, I always like to bring some of that into my stories - and I love the intersection of the mystical and the scientific because, to me, science is magical! Not only because today's mysteries are tomorrow's science, but because the idea that we can understand how the universe works by applying our minds to it is wondrous to me!
Kim: I love how you combine science and magik. I work in clinical research, so science is important to me, too. In The Mists of Na Crainn , "pixies" have taken over all the leadership positions in the Village Na Crainn and banned the teaching of all but the most rote and boring information. In pursuit of what they’re not being taught, Andrew introduces Lyric and her friend Saoirse to the Arbor Fair, where forbidden knowledge on science and math combine with the fantastical.

Sue: I love the forbidden science! Nice.  

Kim: How do your characters combine the two?

Sue: In Faery Swap, my warrior faeries use knowledge (specifically mathematics and science) to enhance their faery powers - they command the elements but also a dimensional magick just by virtue of their birth as faeries. But their powers are increased when they acquire new knowledge about how the universe functions. In the story, the faeries travel from their Otherworld to Earth, swapping places with humans to steal their knowledge and bring it back to the Otherworld. Our knowledge is literally their power... and I love the message that sends to kids. (Along with a rollicking good fish-out-of-water adventure for both my faery and human protagonists!) Kim, what kind of powers do your faeries have, and how does that affect their interactions with humans?

Kim: Our knowledge is their power. That’s literally fantastic. In The Mists of Na Crainn, Fairy have the ability to "soar" in the wind, melt into and move through the mists, use potions, and through a strong connection with nature have the ability to manipulate it, for ill or good.  The anti-science “blunt thinkers” not only affect village life, they have a connection to the evil forces in the Otherworld, where Lyric searches for her mother.


In Island of the Lost Children, Belatresse the Fairy can fly, shrink down in size (she’s slightly smaller than most children) to fit into a pocket uncomfortably, and, of course, influences child archers to shoot unsuspecting 12-year-old girls out of the sky. Human children know it’s best to stay out of her way, or can easily divert her attention with a couple of packets of granulated sugar.

Sue: Ok, all those powers sound like tremendous fun! And I love that the anti-science people are "blunt thinkers!" Thanks for chatting faery (and fairy) lore with me today!



Susan Kaye Quinn is the author of the bestselling Mindjack Trilogy, which is young adult science fiction, and several adult fiction stories. Faery Swap is her foray into middle grade, which is her first writing love. Her business card says "Author and Rocket Scientist" and she always has more speculative fiction fun in the works. You can subscribe to her newsletter (hint: new subscribers get a free short story!) or stop by her blog to see what she's up to.
Faery Swap
Kindle | Nook | Print
Fourteen-year-old Finn is tricked into swapping places with a warrior faery prince and has to find his way back home before the dimensional window between their worlds slams shut. Faery Swap is on tour March 3rd - March 21st with a $25 gift card and magick wand giveaways! Sign up here.


Kim Batchelor writes for children and adulst. She writes fiction short and long, real and fantastical, foreign and domestic. Her first published book is The Island Of Lost Children, a re-imagining of Peter and Wendy. You can find Kim online at her website.
The Island of Lost Children
Kindle | Print
The Island of Lost Children: The story of Peter and Wendy set in modern times.

More Middle Grade Coolness coming up this week! Enter the Giveaway below from all the participating authors!

Friday, October 4, 2013

Feature: Indie Author Survival Guide

This book is for every author who's thinking about indie publishing, or has already taken the leap, and wonders why no one told them about the sharks, the life-sucking social media quicksand, or the best way to avoid sales-checking, yellow-spotted fever. This is a guide for the heart as much as the head. And because I promised myself that I wouldn't write a book about how I made a gazillion dollars publishing ebooks, I would write about the fear: owning it, overcoming it, facing it. From a person who didn't pursue a creative life for a long time, and then discovered creativity can set you free. Note: gazillion is a technical term, which in this case means something less than a million and more than the average income in my state.
Susan Kaye Quinn is the author of the bestselling Mindajck Trilogy and Debt Collector serial and has been indie publishing since 2011. She’s not an indie rockstar or a breakout success: she’s one of thousands of solidly midlist indie authors making a living with their works. This book is a compilation of her four years of blogging through changes in the publishing industry—updated, revised, and supplemented to be relevant in 2013. It’s a guide to help her writer-friends take their own leaps into the wild (and wonderful) world of indie publishing... and not only survive, but thrive. You can friend her on Facebook or follow her on twitter or check out her blog where she'll be doing who knows what next.
Grab the Badge for your blog!
Sign up for bookmarks!
Win the t-shirt!
FAQ About the Guide
Q: What prompted you to write the Guide? I resisted a long time in putting this together. I had this silly idea I was a fiction writer (which is also true), in spite of spending the last four years blogging consistently about the industry, and especially the changes wrought by indie publishing. It took the goading of several friends, over a period of time, before I realized that the blog was actually non-fiction writing (I can be excessively slow for Ph.D. engineer sometimes). The trigger for blogging the book - revising and updating old posts as well as organizing the content - was seeing writer friend after writer friend take the leap, often after reading something I had posted. And I realized there wasn't a book out there that addressed the fears as well as the nuts-and-bolts about going indie. I could have just left the Guide on my rinky-dink blog, but I knew the power of Amazon (and other retailers) to connect people to books, and I figured it would help more people this way. Q: Why should I read a book about indie publishing by Susan Kaye Quinn? I'm pretty sure she's not a NY Times Bestseller. I'm not an indie rockstar. I haven't made the news as one of those "exceptional" breakout indie authors. I'm a solidly midlist indie author, which means I make a living off my works. I'm one of thousands of invisible indie midlist authors who, I believe, are the core of indie publishing, and why it's changing the industry. The rockstars of indie publishing can inspire and lead, they can use their leverage to break barriers, but they can't transform the industry on their own. The true change has to come, as it always has, from the grass-roots. I'm part of that grass-roots movement. Q: Will this Guide help me get rich quick from ebooks? No. Q: Will this Guide help me decide if indie publishing is right for me? Yes. Q: What if I'm afraid? We're all afraid. Fear is an integral part of being vulnerable in the world by daring to do brave things. Fear stops many people from becoming the full expression of who they are. I won't tell you not to be afraid in this book - I'll help you see the fear for what it is, manage it, and not let it stop you from reaching for the amazing things you have ahead of you. Q: What if I don't have the first clue how to start with self-publishing? The Guide is designed to take a first-time-publishing author from the decision to go indie through to writing that second book (and starting the whole process over again). It's also designed to help indie authors who have already published, but are struggling: either with keeping perspective for the long-term, trying to scale up their businesses from the first book, or just trying not to drown in social media quicksand. My hope is that all my indie author friends will find something worthwhile in it, or pass it on to someone who will. The culture in indie publishing of sharing information is part of what inspired this book in the first place.