Ever wonder why there are so many different versions
of the same story? Take the classical
tale of Cinderella. There are more than
15000 versions of this story spread from Asia to Europe. All of the stories are similar but also have
strong variations. This is attributed to
the ancient ways these stories were told—Folklore. Folklore is a compound of two words: folk,
meaning people, and lore, meaning knowledge.
All folklore was passed down from person to person through oral sharing. Imagine passing through a village in long ago
Europe. You enter a lodge were a story
is being shared by a local storyteller.
You’re captivated by this story as you travel you share the story you heard. The story has slight variations from the one
you heard in the lodge, but the theme is still the same. Next that person shares the story, adapting
it to conform to their situation. The
story then continues to be passed around, each time getting different each
time. This is what makes folklore so
fascinating and dynamic.
Folklore can be a terrific writing tool. So many wonderful stories have been
adaptations of folklore. Think about how
many modern versions of Cinderella there are.
There are literally thousands and all different; from the sweet Disney
to the adult version seen in Pretty Woman. Folklore has shown that people love stories
and they will willingly take them in many forms. There are specific structures that make
folklore what it is. By dissecting how
folklore is structured we as writers can use it as a tool to further our
writing.
The first is that all folklore has narrative. There is a sequence to the telling. Mostly it’s chronological, sharing what
happens in a series of actions or events.
There is also plot. All folklore
has a beginning, middle, and end. The
stories start with a conflict and give a resolution in the end. A common element is that something has to be
at stake. Also the characters are very
two dimensional. I believe this is why
folklore stories do so well in modern literature. With adding three dimensional aspects to
these characters you as a writer can make the familiar story new and
exciting. There are also three specific
genres in the folklore narrative: Myth (superstition vs. folk belief), legends
(these challenge the readers belief, plays out in real time with real people),
and folktale (a story that takes place outside of reality, like a magical
land). I could seriously go into a
hundred different aspects of folklore and how its structured and created, but I
just wanted to share what I feel are the three basic structures.
Try using folklore in your own writing. Take a fairy or folktale, an urban legend you
heard as a child, or maybe even a family legend and try and spin them in your
own way. Try to think about the
situations you are in right now. Perhaps
you want to share the story of Cinderella, but you want a new spin on the
classic folktale. What can you add to
the story to make it different? A great
way to do this would be to orally share the story with someone, maybe a
child. Latter after you’ve shared the
story ask them to share it with someone else.
The version you told and the one they give will be different. Perhaps Cinderella is now a dragon and she is
not helped by a fairy godmother but a dragon slayer. Who knows?
There are so many ways in which stories can be bent and shared
especially by using folklore. And that’s
my key on folklore.
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